In attendance at every major launch, McCall became an eyewitness to the U.S. Invited by the Air Force in the mid-1950s to tour air bases around the world as part of an art program, McCall created nearly 50 paintings which he donated to the Air Force and which now hang in the Pentagon, the Air Force Academy, and as part of a traveling exhibition open to the public.Įnamored by the advent of NASA, McCall was one of the first artists to be invited into the civilian space agency's own art program, alongside the likes of Norman Rockwell and other well-known American painters. After serving in the Army Air Corps during World War II, McCall did a short stint as an advertising artist before becoming a magazine illustrator for the Saturday Evening Post, LIFE, and Popular Science. (NASA)īorn in Columbus, Ohio in 1919, McCall's early interest in art led to his winning a scholarship to the Columbus Fine Art School following his graduation from high school. McCall with his "Decade of Achievement" stamps.
His most recent patch was designed for back-up spaceflight participant Barbara Barrett, a family friend, in 2009. McCall also created patches for the third and fifth shuttle crews, as well as the first to dock with Russia's Mir space station. In 1973, at the personal request of flight director Eugene Kranz, McCall designed the original insignia to represent the Mission Control teams. "It was wonderful to really see this emblem that I designed on the Moon, in real time from Mission Control." "It is something I continue to covet," shared McCall in a 2006 interview with.
The Apollo 15 astronauts flew his "Decade of Achievement" two-stamp pane to the Moon, and the last men to walk on the lunar surface did so while wearing an Apollo 17 mission patch designed by McCall. It was through the stamps and patches that he created did McCall ultimately see his artwork merge with their subject matter and enter space. At mission commander John Young's request, McCall also designed the insignia that Young and Bob Crippen wore aboard Columbia for the two-day mission. In 1981, McCall designed eight stamps celebrating STS-1, the first flight of the space shuttle. His design for a commemorative marking the Apollo-Soyuz Test Project adorned the largest stamp published in the United States. postage stamps, ranging in subject from the moon landings to the unmanned probes sent to Mars and Jupiter. A number of his paintings decorated the walls of the former Horizons pavilion at Walt Disney World Resort's Epcot in Florida, and one remains on display at the entrance to the park's iconic "Spaceship Earth" attraction.Īt the other end of the size spectrum but no less popular, McCall created the art for 21 space-themed U.S. Others of McCall's large murals can be found at NASA's Johnson Space Center in Houston, Texas, at the Dryden Flight Research Center in Lancaster, California, and at the Kansas Cosmosphere and Space Center in Hutchinson. Part of a study for McCall's "The Space Mural - A Cosmic View" at the National Air and Space Museum. Painted over the course of eight months in 1976, McCall's depiction of the creation of the universe leading to astronauts walking on the Moon is seen by an estimated ten million annually. Perhaps his most famous piece, the six-story "The Space Mural - A Cosmic View" greets visitors to the National Air and Space Museum in Washington, DC. Since then, many more have encountered McCall's space art through canvases both very large and very small. He expanded on that theme at the invitation of director Stanley Kubrick, who had McCall paint the advertising posters for his seminal 1968 science fiction film, "2001: A Space Odyssey."
Once described by author Isaac Asimov as the "nearest thing to an artist in residence from outer space," McCall's paintings first attracted the public's attention in the 1960s on the pages of LIFE, illustrating the magazine's series on the future of space travel. postage stamps, NASA mission patches, and the walls of the Smithsonian, Robert McCall died on Friday of a heart attack in Scottsdale, Arizona. An artist whose visions of the past, present, and future of space exploration have graced U.S.